Cosimo von Batie

INDEPENDENT THOUGHT · LITERARY EXPRESSION

← KISA / STORIES THAT LEAVE A QUESTION

KISA 003 · THE STORY

The Right to Belong

A home. A livelihood. A future chosen for you.

KISA 003 The Right to Belong approved cover: a young white woman in an urban instrument workshop

Nobody slept hungry in Ndera.

Every child had a classroom. Every sick person had a bed. At eighteen, every citizen received a home, an occupation, and a promise:

You will never be left behind.

Amara’s mother kept those words framed above their table.

Before the Covenant, she had buried a husband because the hospital demanded payment first. When people complained about Ndera’s rules, she touched the frame.

“Some of us remember the alternative.”

Amara remembered too.

That was why refusing her assignment felt almost like insulting the dead.


The letter appointed her to the regional waterworks.

Her scores in mathematics were exceptional. Three districts needed engineers. Her training would begin on Monday.

But Amara made instruments.

From discarded wood and lengths of wire, she built things that sounded like rain arriving over a metal roof. People lingered outside her window when she played.

She wanted to learn the craft properly. Then teach it.

The appeals officer listened without interrupting.

“You can make music after work.”

“Can the people assigned to music repair water pipes after work?”

He looked down at her file.

“We have enough musicians. We don’t have enough engineers.”

“And if I refuse?”

“You may appeal again next year.”

“And on Monday?”

“You report to the waterworks.”


Her refusal reached the council after someone shared a recording of her appeal.

Some called her brave.

Others photographed the taps outside their homes.

Someone has to keep these running.

A young sanitation worker wrote beneath the recording:

I wanted to be a teacher. If she gets to choose, do I?

Within days, hundreds of people requested reassignment.

The council summoned Amara.

Its chairwoman had worked in emergency wards before the Covenant. She placed a staffing report between them.

“Those numbers represent people. If enough workers leave essential services, someone waits longer for clean water. Someone’s operation is postponed.”

“I know.”

“Then tell us who should stay in the jobs everyone else is free to leave.”

Amara had rehearsed an answer about dignity.

It sounded smaller in that room.

“Offer shorter shifts,” she said. “Better conditions. More leave. Train more people.”

“We can. But those changes require resources. Everyone may have to contribute more, or receive less.”

“Have you asked them?”

The chairwoman studied her.

“No,” she said. “We assumed we knew their answer.”


That evening, Amara’s mother found her packing away an unfinished instrument.

“Will they take the house?”

“They haven’t threatened to.”

“The neighbours say they should.”

Amara stopped winding the wire.

Her mother sat beside her.

“I don’t want you forced into a life you hate.”

“But?”

“I’m frightened of needing help again and finding nobody there.”

For the first time since the letter arrived, Amara understood that her mother’s gratitude contained a fear no promise had entirely removed.

She took her hand.

“I’m frightened too.”


The council announced a public hearing.

Three proposals would go before the citizens.

Keep compulsory assignments, with stronger appeals.

Guarantee freedom to refuse, while accepting that some services might initially shrink.

Or fund a transition: shorter essential-service shifts, improved conditions, expanded training, and a shared contribution of time or income.

None promised that every preference could be satisfied.

On the morning of the hearing, a maintenance worker arrived at Amara’s building to repair a leaking pipe.

He recognised her.

“My daughter plays your recordings.”

Amara smiled.

Then she noticed the assignment badge on his shirt.

“Did you choose this work?”

“No.”

“What would you have chosen?”

He tightened the fitting before answering.

“Something that let me sit down.”

She invited him inside while the seal settled.

At her table, he examined the unfinished instrument.

“Whatever they decide,” he said, “remember to ask people like me what would make us stay.”


That evening, Amara stood before the assembly.

Her mother sat near the front. The maintenance worker stood at the back.

The chairwoman gave her the floor.

Amara unfolded her prepared speech, then laid it beside the microphone.

Before asking them to recognise her choice, she wanted to hear theirs.

What does a society owe the person who refuses—and what does that person owe the people who still turn up?


What would you ask Ndera to choose?

Explore three possible consequences of the proposals before the assembly. These continuations are authored possibilities, not predictions or a test of character.

A note to the reader: This is original fiction. The choices are not tests of character and there are no points to win. Your selection is not recorded, stored, or shared.

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